Skip to main content

Composition in Visual Arts

In visual arts, composition is the placement or arrangement of the visual elements, such as figures, trees, and so on in a work of art, as distinct from the subject or the style with which it was depicted. It can also be thought of as the organization of the elements of art according to the principles of art.

The composition of a picture is different from its subject, which is depicted, whether a moment from a story, a person, or a place. Many subjects, for example Saint George and the Dragon, are often portrayed in art, but using a great range of compositions even though the two figures are typically the only ones shown.

The term composition means "putting together" and can apply to any work of art, from music, to writing, to photography, that is arranged through conscious thought. In the visual arts, composition is often used interchangeably with various terms such as design, form, visual ordering, or formal structure, depending on the context. In graphic design for press and desktop publishing, composition is referred to as page layout.

The central visual element known as element of design, formal element, or element of art, constitute the vocabulary with which the visual artist compose. These elements in the overall design usually relate to each other and to the whole art work.


The elements of design are:
  • Line - the visual path that enables the eye to move within the piece
  • Shape - areas defined by edges within the piece, whether geometric or organic
  • Color - hues with their various values and intensities 
  • Texture - surface qualities which translate into tactile illusions
  • Value - shading used to emphasize form
  • Form - 3-D length, width, or depth
  • Space - the space taken up by (positive) or in between (negative) objects
The artist determines what the center of interest (focus in photography) of the art work will be, and composes the elements accordingly. The gaze of the viewer will then tend to linger over these points of interest, elements are arranged with consideration of several factors (known variously as principles of organization or principles of design) into a harmonious whole which works together to produce the desired statement - a phenomenon commonly referred to as unity. Such factors in composition should not be confused with the elements of art (or elements of design) themselves. For example, shape is an element; the usage of shape is characterized by various principles.

Some principles of organization include:
  • Shape and proportion
  • Positioning / orientation / balance / harmony among elements
  • The area within the field of view used for the picture ("cropping")
  • The path or direction followed by the viewer's eye when they observe the image
  • Negative space
  • Color
  • Contrast: the value, or degree of lightness and darkness, used within the picture
  • Arrangement: for example, use of the golden mean or the rule of thirds
  • Lines
  • Rhythm
  • Illumination or lighting
  • Repetition
  • Perspective
  • Breaking the rules can create tension or unease, yet it can add interest to the picture if used carefully
x----x

This post is sponsored by Ayala Malls.

Comments

Popular posts from this blog

How to Create a Richly Imagined World

For someone who likes fantasy and sci-fi fiction, most of the time, a lot of people ask me about how to create a richly imagined world. Fantasy and sci-fi elements rest heavily on how an author weave the setting and the world in which the heroes dwell in, and it helps to make the novel to be imagined vividly in the readers' minds. A convincing world should be relatable, something that we can associate ourselves with. For us to be associated with a world an author created in his mind, and wrote on the pages of a book, this world has to be close to the real thing. It has to be systematic, real and alive, and very convincing. A real world has certain elements, and an author must consider them in writing a vividly imagined world: Cartography - a fantasy or sci-fi world depend heavily on geography and maps, especially if the plot requires war and the belligerents occupy so much space in the plot. A convincing world has the world separated in territories, and every part of the...

Simple Machine

A simple machine is a mechanical device that changes the direction or magnitude of a force. In general, they can be defined as the simplest mechanisms that use mechanical advantage (also called leverage) to multiply force. Usually the term refers to the six classical simple machines that were defined by Renaissance scientists: Lever Wheel and axle Pulley Inclined plane Wedge Screw A simple machine uses a single applied force to do work against a single work load. Ignoring friction losses, the work done on the load is equal to the work done by the applied force. The machine can increase the amount of the output force, at the cost of a proportional decrease in the distance moved by the load. The ratio of the output to the applied force is called the mechanical advantage. Simple machines can be regarded as the elementary "building blocks" of which all more complicated machines (sometimes called compound machines) are composed. For example, wheels, levers, and pulleys are all use...

Crusades

 The Crusades were a series of religious wars initiated, supported, and sometimes directed by the Christian Latin Church in the medieval period. The best known of these military expeditions are those to the Holy Land in the period between 1095 and 1291 that were intended to conquer Jerusalem and its surrounding areas from Muslim rule. Beginning with the First Crusade, which resulted in the conquest of Jerusalem in 1099, dozens of military campaigns were organized, providing a focal point of European history for centuries. Crusading declined rapidly after the 15th century. In 1095, Pope Urban II proclaimed the first expedition at the Council of Clermont. He encouraged military support for Byzantine emperor Alexios I Komnenos and called for an armed pilgrimage to Jerusalem. Across all social strata in western Europe there was an enthusiastic response. Participants came from all over Europe and had a variety of motivations, including religious salvation, satisfying feudal obligations,...